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The secundarization of content in the psychoanalytic analysis of the creative impulse

This article seeks to explore the notion of content secondaryization, highlighting the limitations of the psychoanalytic approach to aesthetics explored by Sigmund Freud when analyzing and understanding the artist's creative impulse. In this context, the Kleinian approach is recognized for its...

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Bibliographic Details
Main Authors: Saraiva, Diogo Manuel Vieira, Ribeiro, Dinis Cayolla, Loureiro, Domingos Fernando da Silva
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2024
Subjects:
secundarização do conteúdo
Psicanálise
Memória
Melanie Klein
Impulso criativo
content secundaryization
Psychoanalysis
Creative impulse
Memory
secundarización del contenido
Psicoanálisis
impulso creativo
memoria
Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/20117
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Summary:This article seeks to explore the notion of content secondaryization, highlighting the limitations of the psychoanalytic approach to aesthetics explored by Sigmund Freud when analyzing and understanding the artist's creative impulse. In this context, the Kleinian approach is recognized for its ability to explore this territory, linking the formal aspects that define it with the element of memory as both a practical and theoretical tool. In this way, a bridge is established between the two domains, allowing for an exploration focused on understanding the motives behind the creative impulse and independent of the specificities of the resulting content.
ISSN:2447-1313

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