Worlds in collapse & contemporary vanities

The text reflects on a series of watercolors – Primavera Negra – created between 2020 and 2022. At the same time, it highlights the connection of this work within the broader context of contemporary artists who address the theme of life's fragility and ephemerality; establishing complex relatio...

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Main Author: Esperante, Marcel Alexandre Limp
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2024
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Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/20142
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author Esperante, Marcel Alexandre Limp
Esperante, Marcel Alexandre Limp
Esperante, Marcel Alexandre Limp
author_facet Esperante, Marcel Alexandre Limp
Esperante, Marcel Alexandre Limp
Esperante, Marcel Alexandre Limp
author_sort Esperante, Marcel Alexandre Limp
collection Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais
container_reference Revista Visuais; Vol. 10 No. 2 (2024): Visual arts, thoughts and sounds; 186 - 211
description The text reflects on a series of watercolors – Primavera Negra – created between 2020 and 2022. At the same time, it highlights the connection of this work within the broader context of contemporary artists who address the theme of life's fragility and ephemerality; establishing complex relationships of continuity and rupture with the pictorial genre of Vanitas from the 17th century and Memento Mori from classical antiquity. Part of the reflection on the watercolors draws on Martin Heidegger's contributions, understanding that, in forming relationships, man “builds worlds,” and these fragile worlds carry their share of poetry and tragedy.
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institution Universidade Estadual de Campinas
issn 2447-1313
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spelling ojs-article-201422024-12-11T12:25:56Z Worlds in collapse & contemporary vanities Mundos en colapso & vanidades contemporáneas Mundos em colapso & vaidades contemporâneas Esperante, Marcel Alexandre Limp Esperante, Marcel Alexandre Limp Esperante, Marcel Alexandre Limp Aquarela Vanitas Memento mori Arte contemporânea Watercolor Vanitas Memento mori Contemporary art Acuarela Vanitas Memento mori Arte contemporáneo The text reflects on a series of watercolors – Primavera Negra – created between 2020 and 2022. At the same time, it highlights the connection of this work within the broader context of contemporary artists who address the theme of life's fragility and ephemerality; establishing complex relationships of continuity and rupture with the pictorial genre of Vanitas from the 17th century and Memento Mori from classical antiquity. Part of the reflection on the watercolors draws on Martin Heidegger's contributions, understanding that, in forming relationships, man “builds worlds,” and these fragile worlds carry their share of poetry and tragedy. El texto reflexiona sobre un conjunto de acuarelas – Primavera Negra – realizadas entre 2020 y 2022. Paralelamente, evidencia la conexión de este trabajo en el contexto más amplio de la producción de artistas contemporáneos que abordan el tema de la fragilidad y la fugacidad de la vida; estableciendo complejas relaciones de continuidad y ruptura con el género pictórico de las Vanitas del siglo XVII y los Memento Mori de la antigüedad clásica. Parte de la reflexión sobre las acuarelas recibe contribuciones de Martin Heidegger, entendiendo que, al establecer relaciones, el hombre “construye mundos” y que estos mundos frágiles poseen su dosis de poesía y tragedia. O texto trata de uma reflexão sobre um conjunto de aquarelas – Primavera Negra - realizadas entre 2020 e 2022. Paralelamente, evidencia a conexão deste trabalho no contexto mais amplo da produção de artistas contemporâneos que abordam o tema da fragilidade e efemeridade da vida; estabelecendo relações complexas de continuidade e de ruptura com o gênero pictórico das Vanitas, do século XVII, e dos Memento Mori, da antiguidade clássica. Parte da reflexão sobre as aquarelas recebe contribuições de Martin Heidegger, entendendo que, ao estabelecer relações, o homem “constrói mundos” e estes mundos frágeis possuem sua dose de poesia e tragédia.    Universidade Estadual de Campinas 2024-12-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/20142 10.20396/visuais.v10i2.20142 Revista Visuais; Vol. 10 No. 2 (2024): Visual arts, thoughts and sounds; 186 - 211 Revista Visuais; Vol. 10 Núm. 2 (2024): Artes visuales, pensamientos y sonoridades; 186 - 211 Revista Visuais; v. 10 n. 2 (2024): Artes visuais, pensamentos e sonoridades; 186 - 211 2447-1313 por https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/20142/14498 Brazil; Contemporary Brasil; Contemporáneo Brasil: Contemporâneo Copyright (c) 2024 Revista Visuais https://creativecommons.org/licenses/by-nc-nd/4.0
spellingShingle Esperante, Marcel Alexandre Limp
Esperante, Marcel Alexandre Limp
Esperante, Marcel Alexandre Limp
Aquarela
Vanitas
Memento mori
Arte contemporânea
Watercolor
Vanitas
Memento mori
Contemporary art
Acuarela
Vanitas
Memento mori
Arte contemporáneo
Worlds in collapse & contemporary vanities
title Worlds in collapse & contemporary vanities
title_full Worlds in collapse & contemporary vanities
title_fullStr Worlds in collapse & contemporary vanities
title_full_unstemmed Worlds in collapse & contemporary vanities
title_short Worlds in collapse & contemporary vanities
title_sort worlds in collapse & contemporary vanities
topic Aquarela
Vanitas
Memento mori
Arte contemporânea
Watercolor
Vanitas
Memento mori
Contemporary art
Acuarela
Vanitas
Memento mori
Arte contemporáneo
url https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/20142
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