The body dramaturgy in the actor’s composition work – the body that operates on images and generates affects
Could the actor/performer be the dramaturge of his own work, basing his composition through what affects him? This theoretical-practical research sought to investigate the actor's dramaturgy through body's perspective and its capacity to affect and be affected, exploring the creative proce...
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| Main Authors: | , |
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| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2019
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| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/eventos/index.php/pibic/article/view/2049 |
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| Summary: | Could the actor/performer be the dramaturge of his own work, basing his composition through what affects him? This theoretical-practical research sought to investigate the actor's dramaturgy through body's perspective and its capacity to affect and be affected, exploring the creative processes that permeate the scene. For such, this study was articulated in four main axes: laboratories under the methodology "practice as research" (SCIALOM, 2017)¹; creation, composition and presentation of dramaturgies; compilation and study of authors who dialogue with the theme; and the analysis of the process, relating theory and practice. By means of Choreological and compositional exercises and theoretical readings based on the study of actor's dramaturgy, principles of the movement, body-image and affects, the research systematized practices that sought to increase the self-knowledge and autonomy of the scenic body and challenge the way of think and doing dramaturgy. |
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| ISSN: | 2596-1969 |
