Cover Image

Rhapsody of Effacement: a cave dance

A two-act performance by Sofia Borges, exploring the relationship between past, present and future through a dystopian approach. The project focuses on masks made from photographic portraits of sculptures from The Metropolitan Museum of Art, selected for their ability to “look” at the viewer. The pe...

Full description

Saved in:

Bibliographic Details
Main Author:	Borges, Sofia
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2025
Subjects:	Performance Memória Máscara Escultura Colonialismo museológico Memory Mask Esculpture Museological colonialism Memoria
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/20658
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Masks, memory and change in contemporary Portugal
by: Restivo, Maria Manuela, et al.
Published: (2019)

Clown apocalypse and creepy clowns
by: Dal Gallo, Fabio
Published: (2017)

Buffoon: masks and ritual connections
by: Brondani, Joice Aglae
Published: (2017)

Nightmares are real: the mask dance of Margaret Severn and W. T. Benda
by: Ribeiro, Almir, et al.
Published: (2025)

Masked on scene: drollery, walking and festivities in the Encontro dos Bois in São Luís do Maranhão
by: Fonsêca, Danielle de Jesus de Souza
Published: (2017)

Da Commedia Dell’Arte ao metateatro: a arte de fingir na dramaturgia de Carlo Goldoni
by: Siega, Paula Regina, et al.
Published: (2025)

What is a museum object without the narratives that surroud it? Folklore Museum: The exhibition
by: Silva, Mariana Estellita Lins
Published: (2017)

The dialectics of masks: the game of concealment and revelation in the work of an actor
by: Almeida Júnior, José Benedito
Published: (2017)

As máscaras da morte
by: Schultze, Ana Maria
Published: (2019)

Pedagogy and masks: An interview with two Canadian masters
by: Leite, Vilma Campos
Published: (2017)

Apresentação do dossiê
by: Monteiro Pereira da Silva, António Fernando, et al.
Published: (2025)

Archaic societies, colonialism and nationalism according to Marx
by: Souza, Ricardo Luiz de, et al.
Published: (2007)

How to be an unframed queer: radical axialities for obscurantist times
by: Fernandes, Estevão Rafael, et al.
Published: (2019)

Máscaras e mascarados: fotografias de palhaços do 22º Encontro Nacional de Companhias de Reis em Aparecida - SP
by: Fernandes, Rafael Saraiva, et al.
Published: (2026)

Habitar a máscara: o objeto como uma realidade penetrável disparador de subjetividades - diálogos com Lygia Clark
by: Rossin, Elisa de Almeida, et al.
Published: (2019)

The secret exposed : revealing and recognising intangible heritage in Senegal
by: Jong, Ferdinand de, et al.
Published: (2024)

Masked in urban space: journalistic discourse on June Days and Covid-19 pandemic
by: Brito, Vinícius, et al.
Published: (2020)

Artes e partes da restauração das obras de Claude Joseph Barandier: práticas e processos já realizados
by: Garofolo, Anneliese, et al.
Published: (2019)

Faxinal das Artes: The constitution of a museum collection from an artistic residence
by: Xavier, Janaina Silva
Published: (2020)

Post-colonial tensions among Portuguese immigrants in São Paulo
by: Silva, Douglas Mansur da, et al.
Published: (2002)

Magic and Brazilian colonial culture: methodological reflections in the spirit of Max Weber
by: Santos, Eurico Antonio González Cursino dos, et al.
Published: (1999)

Visualidades queer: a ficcionalização das identidades na fotografia e no cinema
by: Bracchi, Daniela Nery, et al.
Published: (2025)

O Monstro no Divã: Paul B. Preciado confronta a Psicanálise e desafia a noção de Saúde Mental
by: Lisboa, Reane, et al.
Published: (2026)

Zulmiro de Carvalho: As Obras Exemplares
by: Oliveira Castro, Laura, et al.
Published: (2025)

A short history of a memory center for the performing arts
by: Moraes, Tobias Vilhena de, et al.
Published: (2023)

Retratos de um império colonial: fotografia e colonialismo português em debate
by: Oliveira, Marcus Vinícius de
Published: (2019)

O uso dos objetos e o desuso poético da artista Selma Parreira
by: Veloso, Sainy Coelho Borges
Published: (2017)

Contact zone in ruins: silencing and memories from the Colonial Exhibition of Naples in 1940
by: Silva, João Pedro Rangel Gomes da, et al.
Published: (2024)

Modes of displaying, viewing and interpreting
by: Couto, Maria de Fátima Morethy, et al.
Published: (2023)

Technologies of control and the production of humanity: artificial intelligence, racism, and public security in Brazil
by: Bellini, Kaue Felipe Nogarotto Crima, et al.
Published: (2025)

Beyond primitive accumulation: capitalism and colonial wars in Maurizio Lazzarato
by: Barros, Matheus Guimarães de, et al.
Published: (2025)

Teatra
by: Leal, Dodi Tavares Borges, et al.
Published: (2021)

A biographical space and memory space: black women performance in poetry slam
by: Mendonça, Kelly, et al.
Published: (2025)

Proposal of a computational tool for generating solar charts and size devices for shading
by: Fernandes, Leandro Carlos, et al.
Published: (2023)

Dead people who create themselves: ritual and performance in a Mazatec community in the Sierra Negra de Puebla, Mexico
by: Álvarez, Ángela Nanni, et al.
Published: (2019)

Estudos pós-coloniais e o emprego da categoria racial nas pesquisas europeias: uma entrevista com Miguel Mellino
by: Santiago, Flávio
Published: (2018)

Asadoya Yunta: from resistance to love for the colonizer
by: Shimabuko, Gabriela, et al.
Published: (2020)

Sambas de bumbo in Campinas: a thought on body, performance and social memory
by: Giesbrecht, Érica, et al.
Published: (2011)

O Monumento a Martins Fontes (1938) de Materno Giribaldi
by: Catelli, Eva Pralon
Published: (2021)

Heitor dos Prazeres: rich inner life and establishment of art
by: Geraldo, Sheila Cabo, et al.
Published: (2021)