Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender

This article examines the painting Triangles pointe sur pointe, rectangle, carrés, barres (1931) by Sophie Taeuber-Arp, which is part of the MAC USP collection. Based on bibliographic review of critical literature about the artist and examination of primary documents available in the historical arch...

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Autor principal: Silva, Larissa Fernandes Martins da
Formato: Online
Idioma:português
Publicado em: Universidade Estadual de Campinas 2025
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Acesso em linha:https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/20701
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author Silva, Larissa Fernandes Martins da
Silva, Larissa Fernandes Martins da
author_facet Silva, Larissa Fernandes Martins da
Silva, Larissa Fernandes Martins da
author_sort Silva, Larissa Fernandes Martins da
collection Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais
container_reference Revista de História da Arte e da Cultura; Vol. 6 No. 2 (2025); 128-158
description This article examines the painting Triangles pointe sur pointe, rectangle, carrés, barres (1931) by Sophie Taeuber-Arp, which is part of the MAC USP collection. Based on bibliographic review of critical literature about the artist and examination of primary documents available in the historical archives of MAC USP and the São Paulo Biennial, the article seeks to contextualize the painting within the artist's career, taking into account her experiments with dance and applied arts, in order to provide a unique formal analysis of the work. This analysis encompasses discussions of gender in the historiography of modern art and reflections on the persistence of the hierarchy between fine arts and applied arts.
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institution Universidade Estadual de Campinas
issn 2675-9829
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spelling ojs-article-207012026-02-23T11:44:56Z Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender Triangles pointe sur pointe, rectangle, carrés, barres (1931), de Sophie Taeuber-Arp no MAC USP: artes aplicadas, dança e gênero Silva, Larissa Fernandes Martins da Silva, Larissa Fernandes Martins da Sophie Taeuber-Arp Pintura Abstrata Artes Aplicadas Dança Acervo MAC USP Sophie Taeuber-Arp Abstract Painting Applied Arts Dance MAC USP's collection This article examines the painting Triangles pointe sur pointe, rectangle, carrés, barres (1931) by Sophie Taeuber-Arp, which is part of the MAC USP collection. Based on bibliographic review of critical literature about the artist and examination of primary documents available in the historical archives of MAC USP and the São Paulo Biennial, the article seeks to contextualize the painting within the artist's career, taking into account her experiments with dance and applied arts, in order to provide a unique formal analysis of the work. This analysis encompasses discussions of gender in the historiography of modern art and reflections on the persistence of the hierarchy between fine arts and applied arts. O artigo investiga a pintura Triangles pointe sur pointe, rectangle, carrés, barres (1931), de Sophie Taeuber-Arp,  que integra o acervo do MAC USP. A partir da revisão bibliográfica de uma fortuna crítica sobre a artista e do exame de documentos primários disponíveis nos arquivos históricos do MAC USP e da Bienal de São Paulo, busca-se contextualizar a pintura na trajetória da artista, levando em consideração suas experimentações com dança e artes aplicadas, a fim de promover uma análise formal inédita da obra. Tal análise atravessa discussões de gênero na historiografia da arte moderna e reflexões sobre a persistência da hierarquia entre belas artes e artes aplicadas. Universidade Estadual de Campinas 2025-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/20701 10.20396/rhac.v6i2.20701 Revista de História da Arte e da Cultura; Vol. 6 No. 2 (2025); 128-158 Revista de História da Arte e da Cultura; Vol. 6 Núm. 2 (2025); 128-158 Revista de História da Arte e da Cultura; Vol. 6 No 2 (2025); 128-158 Revista de História da Arte e da Cultura; v. 6 n. 2 (2025); 128-158 2675-9829 por https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/20701/15174 Europe; 20th century Europa; século XX Copyright (c) 2026 Larissa Fernandes Martins da Silva https://creativecommons.org/licenses/by/4.0
spellingShingle Silva, Larissa Fernandes Martins da
Silva, Larissa Fernandes Martins da
Sophie Taeuber-Arp
Pintura Abstrata
Artes Aplicadas
Dança
Acervo MAC USP
Sophie Taeuber-Arp
Abstract Painting
Applied Arts
Dance
MAC USP's collection
Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender
title Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender
title_full Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender
title_fullStr Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender
title_full_unstemmed Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender
title_short Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender
title_sort triangles pointe sur pointe, rectangle, carrès, barres (1931), by sophie taeuber-arp at mac usp: applied arts, dance and gender
topic Sophie Taeuber-Arp
Pintura Abstrata
Artes Aplicadas
Dança
Acervo MAC USP
Sophie Taeuber-Arp
Abstract Painting
Applied Arts
Dance
MAC USP's collection
url https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/20701
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