Transmutar a matéria e o silêncio: A escultura de Zulmiro de Carvalho atravessada pelas palavras de Herberto Hélder
This article examines the conceptual, formal, and phenomenological convergences between Herberto Hélder’s poetics, the evolution of modern sculpture—from Rodin, through Minimalism and Concrete Art—and the sculptural oeuvre of Zulmiro de Carvalho. Drawing on selected texts from Photomaton & V...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2025
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/20980 |
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| Summary: | This article examines the conceptual, formal, and phenomenological convergences between Herberto Hélder’s poetics, the evolution of modern sculpture—from Rodin, through Minimalism and Concrete Art—and the sculptural oeuvre of Zulmiro de Carvalho. Drawing on selected texts from Photomaton & Vox (1979), it discusses notions such as “sculpture-object,” “creation of space,” “transmutation,” “silence,” and “line,” and connects them to historical and aesthetic transformations in contemporary three-dimensionality. The analysis includes critical readings of Hélder’s texts, proposing that Zulmiro de Carvalho’s work offers an exemplary embodiment of Hélder’s definition of sculpture as a motor-text—a spatial, relational, and sensorial operative system. |
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| ISSN: | 2447-1313 |
