Film noir reconfigured in the Essay-film 33, by Kiko Goifman
This research takes into account the conjunction of two often polemic topics when dealing with cinema studies: the film noir and the essay-film. More specifically, the essay-film 33 (Kiko Goifman, 2002) and its use of noir aesthetics, form and themes in order to develop the process of (thinking of)...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2019
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| Online Access: | https://econtents.sbu.unicamp.br/eventos/index.php/pibic/article/view/2428 |
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| _version_ | 1864359071820283904 |
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| author | Mologni, João Teixeira, Francisco |
| author_facet | Mologni, João Teixeira, Francisco |
| author_sort | Mologni, João |
| collection | Portal de Eventos Científicos da UNICAMP |
| container_reference | Revista dos Trabalhos de Iniciação Científica da UNICAMP; n. 27 (2019): Congresso de Iniciação Científica UNICAMP; 1-1 |
| description | This research takes into account the conjunction of two often polemic topics when dealing with cinema studies: the film noir and the essay-film. More specifically, the essay-film 33 (Kiko Goifman, 2002) and its use of noir aesthetics, form and themes in order to develop the process of (thinking of) meeting a biological mother. Through bibliographical research about the two kinds of films here described and analysis of the films 33, The Maltese Falcon (John Huston, 1941) and Murder, My Sweet (Edward Dmytryk, 1944), it is plausible to say the noir tropes are rekindled with a documentary-ish style akin to the cinéma vériteé, stating that, actually, there is no truth at all. The blurred boundaries between right or wrong in noirs give place to the blurred boundary between questions and answers in 33. |
| first_indexed | 2025-10-08T13:57:25Z |
| format | Online |
| id | ojs-article-2428 |
| institution | Universidade Estadual de Campinas |
| issn | 2596-1969 |
| language | por |
| last_indexed | 2025-10-08T13:57:25Z |
| publishDate | 2019 |
| publisher | Universidade Estadual de Campinas |
| record_format | ojs |
| spelling | ojs-article-24282025-09-26T14:39:16Z Film noir reconfigured in the Essay-film 33, by Kiko Goifman Mologni, João Teixeira, Francisco Noir Essay-film 33 This research takes into account the conjunction of two often polemic topics when dealing with cinema studies: the film noir and the essay-film. More specifically, the essay-film 33 (Kiko Goifman, 2002) and its use of noir aesthetics, form and themes in order to develop the process of (thinking of) meeting a biological mother. Through bibliographical research about the two kinds of films here described and analysis of the films 33, The Maltese Falcon (John Huston, 1941) and Murder, My Sweet (Edward Dmytryk, 1944), it is plausible to say the noir tropes are rekindled with a documentary-ish style akin to the cinéma vériteé, stating that, actually, there is no truth at all. The blurred boundaries between right or wrong in noirs give place to the blurred boundary between questions and answers in 33. Universidade Estadual de Campinas 2019-11-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo de convidado application/pdf https://econtents.sbu.unicamp.br/eventos/index.php/pibic/article/view/2428 10.20396/revpibic2720192428 Revista dos Trabalhos de Iniciação Científica da UNICAMP; n. 27 (2019): Congresso de Iniciação Científica UNICAMP; 1-1 2596-1969 por https://econtents.sbu.unicamp.br/eventos/index.php/pibic/article/view/2428/2464 Copyright (c) 2019 Revista dos Trabalhos de Iniciação Científica da UNICAMP http://creativecommons.org/licenses/by/4.0 |
| spellingShingle | Mologni, João Teixeira, Francisco Noir Essay-film 33 Film noir reconfigured in the Essay-film 33, by Kiko Goifman |
| title | Film noir reconfigured in the Essay-film 33, by Kiko Goifman |
| title_full | Film noir reconfigured in the Essay-film 33, by Kiko Goifman |
| title_fullStr | Film noir reconfigured in the Essay-film 33, by Kiko Goifman |
| title_full_unstemmed | Film noir reconfigured in the Essay-film 33, by Kiko Goifman |
| title_short | Film noir reconfigured in the Essay-film 33, by Kiko Goifman |
| title_sort | film noir reconfigured in the essay-film 33, by kiko goifman |
| topic | Noir Essay-film 33 |
| url | https://econtents.sbu.unicamp.br/eventos/index.php/pibic/article/view/2428 |
| work_keys_str_mv | AT molognijoao filmnoirreconfiguredintheessayfilm33bykikogoifman AT teixeirafrancisco filmnoirreconfiguredintheessayfilm33bykikogoifman |
