Y a-t-il une codification musicale dans le théâtre de Plaute?

This article demonstrates that, in a codified theatre play, what would have appeared either as a deviation, or as the expression of the author’s free inventiveness (“fantaisie” or “variété”), needs to be reassessed and understood as a mere variation. In two instances of musical silence in Plautus’ c...

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Main Author: Letessier, Pierre
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2011
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Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/phaos/article/view/9509
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author Letessier, Pierre
author_facet Letessier, Pierre
author_sort Letessier, Pierre
collection Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais
container_reference PhaoS - Revista de Estudos Clássicos; No. 8 (2008)
description This article demonstrates that, in a codified theatre play, what would have appeared either as a deviation, or as the expression of the author’s free inventiveness (“fantaisie” or “variété”), needs to be reassessed and understood as a mere variation. In two instances of musical silence in Plautus’ comedies, we show how variations from the convention expected by the audience are the basis and essence of the codification, some of the variations even prompting laugh; this then allows us to develop, in a second, theoretical, part, a notion of codification, not as a system of rules, but instead as a combination of variables set in variation.
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spelling ojs-article-95092018-10-16T09:51:59Z Y a-t-il une codification musicale dans le théâtre de Plaute? Letessier, Pierre Codification/coding. Variation. Comédies de Plaute/Plautus’ comedies. Comique/comical. Musique/music. Língua clássica This article demonstrates that, in a codified theatre play, what would have appeared either as a deviation, or as the expression of the author’s free inventiveness (“fantaisie” or “variété”), needs to be reassessed and understood as a mere variation. In two instances of musical silence in Plautus’ comedies, we show how variations from the convention expected by the audience are the basis and essence of the codification, some of the variations even prompting laugh; this then allows us to develop, in a second, theoretical, part, a notion of codification, not as a system of rules, but instead as a combination of variables set in variation. Universidade Estadual de Campinas 2011-10-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares Revisão de literatura; Pesquisa exploratória application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/phaos/article/view/9509 PhaoS - Revista de Estudos Clássicos; No. 8 (2008) PhaoS: Revista de Estudos Clássicos; Núm. 8 (2008) Phaos: Revista de Estudos Clássicos; n. 8 (2008) 2526-8058 1676-3076 por https://econtents.sbu.unicamp.br/inpec/index.php/phaos/article/view/9509/4922 Copyright (c) 2018 PhaoS: Revista de Estudos Clássicos
spellingShingle Letessier, Pierre
Codification/coding. Variation. Comédies de Plaute/Plautus’ comedies. Comique/comical. Musique/music.
Língua clássica
Y a-t-il une codification musicale dans le théâtre de Plaute?
title Y a-t-il une codification musicale dans le théâtre de Plaute?
title_full Y a-t-il une codification musicale dans le théâtre de Plaute?
title_fullStr Y a-t-il une codification musicale dans le théâtre de Plaute?
title_full_unstemmed Y a-t-il une codification musicale dans le théâtre de Plaute?
title_short Y a-t-il une codification musicale dans le théâtre de Plaute?
title_sort y a-t-il une codification musicale dans le théâtre de plaute?
topic Codification/coding. Variation. Comédies de Plaute/Plautus’ comedies. Comique/comical. Musique/music.
Língua clássica
url https://econtents.sbu.unicamp.br/inpec/index.php/phaos/article/view/9509
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