Titian, Manet, Degas: Notes on the Female Nude in Painting
This article proposes an interpretation of After The Bath (1896, oil on canvas, Philadelphia Museum of Art) in the light of its relationship with tradition, particularly with Venus of Urbino, by Titian (1538, oil on canvas, Galleria degli Uffizi, Florence), and Olympia, by Édouard Manet (1863, oil o...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2021
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15495 |
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