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Titian, Manet, Degas: Notes on the Female Nude in Painting

This article proposes an interpretation of After The Bath (1896, oil on canvas, Philadelphia Museum of Art) in the light of its relationship with tradition, particularly with Venus of Urbino, by Titian (1538, oil on canvas, Galleria degli Uffizi, Florence), and Olympia, by Édouard Manet (1863, oil o...

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Bibliographic Details
Main Author:	Magalhães, Ana Gonçalves
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2021
Subjects:	Painting Female Nude Form Degas Classical Tradition Pintura Nu Feminino Forma Tradição Clássica
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15495
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