Bad conscience, cruelty and "reverse narcissism" in contemporary Brazilian cinema
The class fracture of Brazilian society is recurrently present in our cinema. It is expressed in what we can call “representation of the popular”. After the interval of the 80s (when the most creative national production established a closed dialogue with genre cinema) the classic motifs of popular...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas
2004
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19579 |
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